[ 熊琦 ]——(2013-3-13) / 已閱11001次
注釋:
[1]Robert P． Merges． Compulsory Licensing vs． the Three "Golden Oldies": Property Rights． Contracts． and Markets． Policy Analysis[J]． 2004，( 508) : 1 － 15．
[2]國家版權局． 關于《中華人民共和國著作權法》( 修改草案) 的簡要說明[R]． 2012 －03 －30．
[3]U． S． Copyright Office． Section 115 Reform Act ( SIRA) of 2006． Committee on the Judiciary United States House of Representatives 109th Congress． 2nd Session[R]． 2006．
[4]Finkelstein． ASCAP as an Example of the Clearing House System in Operation． Bull． Copyright Soc’y[J]． 1966，( 14) : 2 －17．
[5]Molly Shaffer Van Houweling． Author Autonomy and Atomism in Copyright Law． Virginia L． Rev． [J]． 2010，( 96) : 549 －642．
[6]Marybeth Peters． Reforming Section 115 of the Copyright Act for the Digital Age． Statement before The Subcommittee on Courts．the Internet． and Intellectual Property of the Committee on The Judiciary House of Representatives． 110th Congress． 1st Session [R]．2007．
[7]White － Smith Music Publishing Co． v． Apollo Co． U． S． 1908，( 209) : 1 －11．
[8]Herbert v． Shanley 242 U． S． 1917: 591 －593．
[9]Catherine L． Fisk． Authors at Work: The Origins of the Work － for － Hire Doctrine． Yale J． L ＆ Human[J]． 2003，( 15) : 1 －70．
[10]William W． Fisher III． Promises to Keep: Technology． Law． and the Future of Entertainment[M]． California: Stanford Uni-versity Press． 2004．
[11]ASCAP Experimental License Agreement for Interactive Services ( ver． 2． 1) ． ASCAP Experimental License Agreement for Non－ Interactive Services ( ver． 5． 1) ． [S]．
[12]Al Kohn ＆ Bob Kohn． Kohn on Music Licensing ( 4th ed．) [M]． New York: Wolters Kluwer． 2010．
[13]Julie E． Cohen et al． Copyright in a Global Information Economy ( 2nd ed．) [M]． New York: Aspen Publishers． 2006．
[14]ASCAP Experimental License Agreement for Interactive Services ( ver． 2． 1) ． Rate Schedule "A" ＆ "B"． [S]．
[15]Daniel Gervais ed． Collective Management of Copyright and Related Rights[M]． New York: Kluwer Law International． 2010．
[16]David Israelite． Testimony of David Israelite: Subcommittee on Courts． The Internet． and Intellectual Property of the Committee on the Judiciary House of Representatives[R]． 2006．
[17]Molly Shaffer Van Houweling． Author Autonomy and Atomism in Copyright Law． Virginia L． Rev． [J]． 2010，( 96) : 549 －
642．
[18]Justin Hughes． Size Matters ( or should) in Copyright Law． Fordham L． Rev． 2005，( 74) : 575．
[19]Lawrence Lessig． Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity
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[20]Cirace． CBS v． ASCAP: An Economic Analysis of a Political Problem． Fordham L． Rev． [J]． 1978，( 47) : 277 －306．
[21]Joseph P． Escalante． ASCAP． BMI． and the Sherman Act: Are Today’s Top － Stars in Bed with the Blanket License． W． St．
U． L． Rev． [J]． 1994，( 22) : 75 － 91．
[22]Lionel S． Sobel． The Music Business and The Sherman Act: An Analysis of The“Economic Realities”of Blanket Licensing．
Loy． L． A． Ent． L． J． [J]． 1983，( 7) : 1 － 50．
[23]崔國斌． 著作權集體管理組織的反壟斷控制[J]． 清華法學，2005，( 6) : 110 －138．
[24]Daniel Gervais ed． Collective Management of Copyright and Related Rights[M]． New York: Kluwer Law International． 2010．
[25]熊琦． 著作權集中許可機制的正當性與立法完善[J]． 法學，2011，( 8) : 101 －110．
[26]徐詞． 我就要來保護你: 著作權法修改草案陷入爭議漩渦[N]． 南方周末，2012 －04 －19 ( D22) ．
出處:法律科學 2013年第1期
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